We've all heard "write what you know". But how is that possible if you're writing a historical novel, or a futuristic? How about a novel that involves some scuba diving if you're deathly afraid of the water?
Jane Austen, however, did write what she knew, and we're certainly the richer for it. She was a keen observer of the world around her, and could hone her words to a razor's edge--the better to cut you with, if you were her quarry.
So this week I pose some questions:
- Do you "research" or "observe"?
- Do you get what you need before, during or after the story is written?
- With the focus in most women's fiction being on the characters, rather than the explosions, murders or other selected mayhem of general fiction, is perfect research a necessity?
- And what do agents and editors think about this? Will they take on a manuscript with great characters, but holes in the research?
Let's talk